How Infusing Sonic Geometry into Architecture Transforms Dwellings into Natural Healing Chambers
Ancient Knowledge on the power of sonic geometry is coming back to the fore and today we stand at the cusp of an incredible renaissance in the fields of building and construction.

“If you want to find the secrets of the universe, think in terms of energy, frequency and vibration.”
—Nikola Tesla
Understanding the nature of Creation is about frequency and vibration and requires the recognition of the variant proportions and ratios involved in shapes, thus the use of the Golden Ratio in so many ancient structures like the Great Pyramid and more recently, the Sistine Chapel.
These natural laws were also used by Leonardo Da Vinci in his enigmatic pieces of art. There are many interesting parallels between Da Vinci and the more modern genius artist, Walter Russell, and this can be gaged through studying the works of them both and has led some to assert that Russell is Da Vinci’s reincarnation.
“As two great minds who have transcended time and space, Leonardo da Vinci and Walter Russell hold distinct perspectives, yet their core messages echo timeless truths. Leonardo’s journals speak volumes about his insatiable curiosity and desire to understand everything within our world and beyond. Meanwhile, Walter Russell focuses on universal laws, emphasizing interdependence among all things. Their similarities stem from the recognition of the infinite potential locked inside each atom, and the idea that knowledge is power when channeled correctly.”
This ratio is also seen repeated throughout all patterns in nature as seen below. Rather than the sterile, monotonous, unrealistic results of problematic math equations, these natural patterns are similar but all completely unique as you can see below. Just as no two fingerprints are alike, no two sunflowers, two conch shells, or two ocean waves are alike either:
So contrary to popular belief, it’s not about complex math equations that make people appear “smart” but are not actually applicable in nature, hence all the ridiculous math that “flat-earthers” use to try to prove their unproveable notions.
It’s not like Jesus the Christ had to work out incomprehensible mathematical equations in his head before he performed feats that many presumed to be “miraculous”. Or that Peter suddenly became a math genius in order to walk on water toward Jesus. What had Jesus really mastered? He has mastered himself and through that process, also mastered the codes of Creation, known to many as the Music of the Spheres, the Blueprints of Life, or most commonly as “sacred geometry”.
“Sacred Geometry is the language of the Divine, the ubiquitous Mathematics that the Universe uses to create life.” —Arturo Ponce de León
We refer to it as the Music of the Spheres or sonic geometry as this article is intended to bring attention to the fact that different geometric forms emit different vibrations, and these vibrations all have their own qualities of sound and light that have real effects. Keep in mind that this sound is not something the outer ear generally perceives but this does not mean that the effects are not real and measurable, as they certainly are. Just viewing one of these singing sonic shapes can create positive changes within as they have the capacity to penetrate deeply into our physiology .
So many buildings and dwellings of today often feel constricting and depleting. But there are exceptions you may have noticed as you entered the doors of a large church, a thoughtfully designed yoga studio, or a uniquely inspired home. One of these such homes was built by the amazing bio-architect, Michael Price—he refers to it as an energetic structure which indeed it is; a natural space with complimentary vortexes. This has led to a dramatic increase in the quality of life for him and his family and he shares some very interesting stories about this. You can see in the following photos and quotes from Michael himself that the structure is very uniquely shaped and designed:
From Michael Price, A Man of Many Mystical Experiences with Nature:
“I'm particularly interested in a field of study that actually has a name now—it's called neural esthetics and there's even an academy in the in the west coast of the states and possibly more now because it's a few years ago when I first came across the term but it is the study of beautiful visual fractal harmony and how that effects us at a sensory level, how it stimulates our brain in a certain way, and how that electrical stimulation evokes biological response and in simple terms what we see graphically or visually is translated into chemical and electrical information that has a cascade effect within our cortex and apparently when we perceive something natural—a tree of forest, a landscape, the face of our mother, you know something that's designed by nature to be symmetrical and by symmetrical I don't mean sort of window-door in the classic sense, but an inherent self organizing principle visually. And in terms of its shape and its form, we take that in as visual information that gets translated into a complex electrical signal in our physical brain as it's simulating all the nerve endings along the optical nerve and it's releasing hormones, it's releasing these molecules of emotion so we've got the dopamine and the serotonin and it's creating a feeling of calm and well-being and it relaxes your sense of self which allows your identity with the environment to extend so you're no long an encapsulated separate being imagining yourself having to continuously negotiating with all the elements in the environment, you're actually allowing yourself to expand your sense of self out into the space to include the space and that's where your natural pulsing living energy extends and includes the physical space so that means that certain shapes, certain forms, certain movements of wind and water energy and the containment that they are naturally set up to encourage and invite and bring together energy information in such a way that it can re-enter itself it's like a recursive field of awareness.”
*Photos & Quotes Source: Sacred Geometry with Architect Michael Rice
“Look at this lovely curve on the left and the roof you can see that every beam in the roof is a straight line. These beams are off-the-shelf materials yet when they are given a chance to follow a curve, creating a roof shape that didn't need to be modeled by computer, didn't need to be engineered to the highest level of blah blah it's just fixed the walls fixed the primary parameter and let the straight lines do their thing and it's very very powerful it's an amazing way to build effortlessly suggesting itself. If you were to try and model this on computer a builder will just freak out but when you know that two walls are having a certain relationship, one is this way, the other is this way, you place the straight lines and they take on the shape so the level of finish is totally up to you and this is one of the beautiful things about sacred geometry is that you make the shape and you choose the level of finish it can look like a rustic hippie house or it can look like a very high level you know polished interior.”
“The space above me looks like Eagles feathers and each of these shapes is already drenched with sacred geometry yet you can see it's not contrived. It's a natural flowing expression of what can be and this is the reciprocal space on the other side of the house so that the space on the left here this dome is matched on the other side with this bedroom space”
“The top down view of DNA is actually a ten sided shape known as a decagon so when you lie in bed you're looking up on your being this shape is beaming into your awareness either looking at the stars or looking at the Sun of the clouds a lovely restful shape that's literally imprinting into your visual cortex.”
Then there is also a gentleman who goes by the name of Heinze. He is another exceptional architect using these natural patterns. Here he speaks reverently of the Flower of Life, a form close to my heart as well:
The Flower Of Life supports the healing process, and guarantees harmony in architecture and design.
Starting from the first idea of creating buildings that are helpful for your wellbeing and health, the designs I create have been developed to be your ‘third skin’ (clothes are the ‘second skin’).
My main goal is definitely designs that create harmony.
So after many years of studying ancient and modern ‘systems’, ‘philosophies’ and ‘measurement models’ from all over the world, I started using the Flower of Life as the basis of my architecture, and I use it in almost all of my designs.”
The Flower of Life supports in removing blockages, and ensures a renewed unhindered flow of energy. Here’s a small selection of benefits to using sacred geometry in your architecture:
Ensures perfect divine order (The Flower of Life is also called the ‘Code of the Genesis’)
Definitely energy balancing (and can lift your spirit)
Undoubtably assists in healing and meditation
Harmonizing and stabilizing effects on existing energy fields
Energizing and revitalizing effect on food of all kinds
Anti-jamming on drinking water and electro-smog (invisible electromagnetic fields)
Relieving stressful situations
Improving attitude and the way you are ‘feeling’ and ‘being’
Adding structure and harmonization of the building, life and environment
Quicker physical and mental health recovery
Enriching self-esteem to strengthen confidence”
The results of his work speak for themselves. Check out these amazing photos from his website:
There is also a University in Greece currently researching and carrying out experiments related to sonic geometry and how it interacts with our biology. They rightly refer to this as BioGeometry:
“The BioGeometry approach is based on the concept of the energy qualities of a space. This concept of Physics of Quality and not Physics of Quantity is applied to balance the informational level of any living creature or any electromagnetic pulse. This subjective perception of quality can be then translated into an objective results thanks to the power of our attention and the ability we have as human beings to direct electromagnetic fields.
The photo that headlines this article is from their website. Here is another one that is like a beautifully composed symphony:
Creation & The Music of the Spheres
“The deeper the Self-realization of a man, the more he influences the whole universe by his subtle spiritual vibrations, and the less he himself is affected by the phenomenal flux.”
― Paramahansa Yogananda
As we continue to advance through the Cosmos toward the Central Sun, more light will become available to us, and the frequencies that pour in will continue to increase, raising our intuition to new heights. As this happens, the Music of the Spheres will become more and more apparent to many.
“Celestial spheres are always in motion, and they send out wave vibrations of light pressures all through the universe. When waves vibrate, sound extends from them. The beauty of the universe of stars appeals to the eyes of the Spirit and the Inner Ears hear those mighty rhythms.”
—Walter Russell
The term Music of the Spheres is attributed to the great Pythagoras who understood that the intervals of scale had simple numerical relationships. He was a master of harmonic principles who recognized the benefits of having one’s thoughts align with natural forces and Cosmic Laws. This kind of attunement is a degree of Cosmic Consciousness.
“For a stable reality or universe, there would have to be a blending of opposites in proportions which could be numerically expressed." —Pythagoras
Walter Russell understood these principles as well and spoke of the advanced space geometry still left to be discovered by man in the future. His teachings lay out the process of Creation itself. He recognized that matter and space were equal and opposite mates and that this interchange was in constant motion. Space becomes matter through crystallization only to become space again when the wave octave cycles that compose the form are exhausted.
It is these wave cycles of the elements involved that effect our physiology and consciousness in many unseen ways. Obviously, the more harmonic they are, the better effect they will have. Emissions from wave cycles involving extremely compressed and heated uranium, also known as nuclear energy, or other toxic materials has very negative effects on all life while emissions from wave cycles involving the patterns of nature herself are healing, uplifting, and enlightening. We can experience this through a multitude of mediums, one is raw unrefined castor oil which is excellent for inflammation as it has the ability to penetrate deeply into the body. Many people have experienced it’s powerful effects by using it to help their eye health or liver. It too sings.
Because these geometric sonic patterns are the actual blueprints of life (“the word” from Genesis), they are an inherent part of nature and ourselves. And when we are in the midst of them, coherence becomes dominant and rewires our physiology back to it’s natural and pristine state. It is a form of organic synchronization activated through resonance entrainment and it is much needed to overcome the negative effects of the harmful technology of today.
When we choose to model our lives and technology after the patterns of nature, we then come into deeper relation with Nature and God and through this loving devotion, gain the capacity to commune with the source of all Knowledge, granting us access to extraordinary understandings and abilities. This is why esteemed scientist, Viktor Schauberger, told people to comprehend and copy nature.
And of course why Nikola Tesla was so humble and real in contrast to the inflated egos so common in scientists today. He knew that the source of all his brilliance was God. His connection with Cosmic Consciousness allowed him to visualize all of his inventions and create workable models all within the factory of his own mind. He saw no need for expensive labs or complicated calculations to test his ideas. He came up with an idea, then he executed it. Thus is the beauty of having a mind and heart tethered to Cosmic Consciousness and the Music of the Spheres:

















